This catalogue accompanies a museum exhibition of the latest work of German artist, Thomas Struth. The touring show focuses on photographs Struth has made since his last major retrospective, which covered the years 1978–2010. The catalogue comprises 65 works (plus details) and includes all of the 30 works in the exhibition to create the most comprehensive book of Struth’s recent work.
Thomas Struth is renowned for his practice of creating singular images, each within strictly segregated subject fields: architecture, portraiture, landscape and, most recently, sites of technological and scientific research. Nature & Politics explores in depth diverse strands of Struth’s enquiry, whilst also elaborating the interstices between them, to present the most significant current monograph of the artist’s work.
In recent years technology and the constructed landscape have become overarching subjects for Struth. Photographing at sites of techno-industrial and scientific research, including physics institutes, pharmaceutical plants, space stations, dockyards, nuclear facilities and operating theatres – he has focused on machines which are some of the transformative instruments of our contemporary world, and edifices of technological production where the heights of human knowledge are enacted, debated and advanced. These works explore the aesthetics of innovation and experimentation through the recording of structural complexities and allude to the hidden structures of control, power and influence exerted by advanced technologies.
- 216 pages, 240 × 340 mm
Large-format paperback book with 4 colour printed acetate jacket, numerous gatefolds and 8 Japanese papers
Texts by Tobia Bezzola, Dirk Baecker and D. Graham Burnett
Designed by Lewis Chaplin
MACK, March 2016